Dropping an animated gif your way. This one shows the arrival of an armored Marvan Heron through some sort of teleportation method. This actual shot doesn’t show up in the video, but I’m not ready with the actual shot, so I threw a background behind the animation just so it looks decent.
I like the way this turned out. I created the “appearing” effect by first drawing the full figure of the Heron, then slowly erasing segments with each frame. I then reversed the order of the frames so that the figure is appearing rather than disappearing. Let me know if you think it looks Ok. The idea is to have it look like a three dimensional character appearing out of a two-dimensional “slice” in space.
I’m working on the last minute of the video, and hoping it doesn’t take me much longer. I’m kicking around the idea of posting the rough video on the blog before I clean it up and post it on YouTube. I’ll see how I feel about that.
Don’t know if you’ve ever seen this sentence before, but I haven’t: “I am not a binge watcher“. This is true for me, I’m not much of a binge watcher. In case you haven’t heard the term, binge watching is a term used for watching multiple episodes of the same tv show in one sitting. It seems like most people I know do this, so I’m a bit of an oddball here. Then again, few are the individuals who ever accused me of being normal.
I don’t think there is anything wrong with binge watching (unless it’s eating up your sleep hours on a worknight 🙂 ). For me, it’s just that I like to take my time. If I watch more than an hour of one tv show, it feels like I don’t have time digest it – to let it sink in. It also helps that I don’t really have the time, so it’s not all premeditated moderation – I’m certainly no monk when it comes to willpower.
Another reason: Some shows are really good and have a limited number of episodes, so watching only a few episodes a week gives me more time with the setting and the characters; gives me time to daydream about things that happen in the show. I think I am a relatively “deep viewer” – I memorize details and allow the parts I really like to ferment and become part of the readily available landfill of trivia that I store in my think sack. If I were to cram a bunch of episodes into my brain, I wouldn’t be able to remember as much.
Just a share… I did get some work done on my morning transport, which is pretty cool. Will update more soon.
What are your viewing habits? Do you like to pile-on the episodes? Do share!
Worked on some more animation today and decided to leave a footprint online. So here’s a quick sketch of the two main characters of the story: Coal and Damselfly. I am well into chapter five, which explores some of Coal’s backstory. Damselfly the not human one. The species has multiple names including “Free Drove” but an individual is usually referred to as a “drover”. The story of this species is central to the plot.
I’ve written a bit on kites already. There are two major kites and one minor kite in the unit. Each has a very different role, so they have different equipment too.
Lir’li’se (Leer-Lee-Seh) is a female kite and somewhat of an aberration among her kind. She first appears in chapter 1 (as part of the combat scene) and is featured more prominently in chapter 3. Lir’li’se is very quiet and unassuming, and has eschewed flying during combat in favor of a heavy ground support role. Her armor is heavy with both kinetic composites and energy shields to protect her relatively delicate form. She also makes use of exoskeletal motors that help her carry her equipment. The bulkiness of this equipment rules out flight, but being committed to ground-combat allows her to carry much heavier weapons.
Hessness is quite different. A male kite, he is more typical to his species, being more outspoken and judgmental. He also fully embraces his natural abilities as part of his fighting style: Serving as aerial support. Hessness fights alongside his bonded minor kite, Apriva (more on her in another post). His equipment is more superficial, relying heavily on energy shielding to protect his body. The lack of battle composites allows him to expand his flying membranes and take flight. Shields can be very effective, especially at range, but Hessness undertakes a considerable risk by not using composites. The intent is for the speed of his flight to make him harder to hit and thus make up for the lack of armor. Along with the shield generators on the dorsal side, lifting engines on his ventral side enable him to take flight without the high winds that kites require to take off (these thrust-creating engines are also commonly used by both minor and major kites in civilian settings).
I really enjoyed drawing these sketches, since the armor strongly hints at the personalities of these two characters. Although I designed kites to contrast my own personality and sensibilities, I can’t help getting attached to these endearing critters.
Continuing with the armory sketches: Next we move to the human armor. The humans in the unit will have some differences between their armor designs, to suit their personalities, but for the most part the variations will be minor. The armor is basically unisex and the customizations allow for different body types. All armor worn by all beings in the unit is a light and resilient material – armor is usually referred to as “Battle Composites”. The battle composites have adaptive pigmentation that can acquire any color, allowing for the wearer to remain camouflaged in any environment.
The image above shows Sarine: An important, though not main character at this point. Her first appearance is in chapter two (already written). Sarine is a veteran of the Proxima-Aggregate war. Level headed and wise, Sarine is looked up to by others and is, by far, the oldest being in the unit. In Free Drove, humans do not age externally, so you can’t really tell how old a person is by looking at them. But Sarine has chosen, as a lifestyle choice, to allow her body to age. As a result, her external appearance reflects a fraction of her age and sets her apart from most of her fellow humans.
A note on the design and aging
The lack of aging is a source of internal conflict for me. On the one hand, I truly see aging as a technicality. It is probably a trait that favors species as a whole from an evolutionary perspective, but there’s nothing inherently necessary about aging, from a physics perspective. I am certain that technology will allow us to eventually do away with it completely, if desired.
On the other hand, I do enjoy depicting characters at different stages of humans’ natural life. I think TV and movies often neglect older characters and the beauty of the aged human form. It’s something that I do want to represent in my story…
This means that if there are any people who have an aged appearance in Free Drove they have to choose it. This makes an aged look more cosmetic than anything, which I kind of like. Isn’t it funny? All the generations of people struggling for eons with mortality, the existential dread, the pining for lost youth. What a terrific irony: Now that all people have everlasting youth, an aged appearance is used as a mere article of clothing.
Doing a sketch drop. I’m getting pretty close to the battle scene in the first video. And because representatives of almost all the species are in this scene, I have to figure out what each one of them looks like in armor.
You might have seen the Marvan heron in some previous posts, now I’m working on an armor design for it. Marvans are very intelligent but few in number and mostly solitary. As a result they have never developed a civilization of their own. They rely on other civilizations’ technological bases and most of their personal technology is custom made.
Herons have some shortcomings in combat. One is the long neck that has to be protected. Another is their short wings. I have to work with this, so I don’t think they’ll be carrying an long arms, or even any double-handed weapons.
Instead of relying on brute strength I’m designing their battle capabilities to be based on speed and cunning. Herons are master problem solvers and have a knack for finding the relevant information in any situation. This would make them natural tacticians, sensing the tide of battle and ferreting out the enemy’s weak-points.
I’ll update later after I settle on a final design.
This one is mostly a visual post. When I was drawing the sequence of the minor kites’ folding wings I started to feel a bit uncertain about the actual geometry of what I was drawing. The first fold was easy, but when I flipped the hind appendages, my spatial rendering device (brain) started maxing-out.
So, I decided to create a physical model:
The results showed me that despite the aforementioned “max-out”,
I got it roughly right.
One thing that the paper models didn’t fully cover was the articulation of the hind appendages: the drawn model folds them back and holds them flush against the flanks. The paper model just goofily kept them splayed. Beyond that, the hind quarters are not supposed to rest on the hind limbs, which are too weak to carry the kite’s weight for long. Instead, what appears to be the “tail” serves as a single back-foot.
The other aspect that the model couldn’t account for is the elasticity of the flying membranes. Being living creatures, minor kites are not rigid like paper. Their flying membranes stretch out for flight and contract when the limbs retract.
It was a fun little experiment. Compare to the drawings from last post:
Minor kites are mammalian in appearance and about a meter in length. They accompany major kites, gliding in similar fashion and feeding on larger flying animals that majors don’t eat, as well as defending major kites from pack predators and parasites. Minor kites have a furry body with bare flying membranes, much like bats or Colugos. They have sharp teeth and raptor claws that they use to snatch prey from the air. Their fur color can be monochrome from gray to white, or colourful – sometimes green or blue, depending on geography. Their bare skin ranges from beige to dark gray.
They have powerful visual acuity and stereoscopic vision common to raptor species such as hawks. Because they traverse their planet’s twilight region, they are adapted to both low-light and bright-light environments, often spending days flying through one or the other.
Their sense of smell is also very advanced, allowing them to sense their prey in high wind environments. Their hearing acuity is about the same as humans, though slightly skewed to higher frequencies. Minor kites have teeth and tongues, and communicate using similar palates to humans. Minor kites and humans are linguistically compatible: their languages rely on roughly similar vocalizations. This allows the two species to speak each others’ languages without artificial assistance.
Couldn’t resist adding a link for a song by The Radio Department that starts with the sound sample “is it difficult you two living together?”
Minor and Major kites are so well adapted to each other that major kites have rough patches on their backs that allow minors to latch on with their claws. In this way, minors can ride major kites in flight. This gives the smaller creatures time to rest while still in the air as their raptor hunting is more energy consuming than the major kites’ basking. Minor kites will also latch on to major when at rest and will form long term bonds. A major kite might accommodate anywhere from one to four minors living on it. In return minor kites dote after their major kite hosts: cleaning them, removing their parasites, and even tending to wounds.
If you have access to a smart phone or other digital device, it is hard to make an excuse for not writing. If you have more than one internet enabled device such as a tablet, laptop, or PC, you are truly empowered to write anywhere. I have written in all of the following:
Other people’s houses
A public park
I store all my writing on the cloud. This means that I can write on my phone and then switch to my laptop and keep working on the same file. I use Microsoft OneDrive, it’s free, but you can use your choice of storage provider. They all offer premium services with more space, but OneDrive gives you 5 GB for free and you’ll never fill that up with just writing, so you don’t have to worry about that!
There are many writing tools out there, but I use Microsoft Word. I subscribe to Microsoft Office 365 for $100 a year, which gives me access to their full suite for 6 users on all my devices. This has been a bargain for me since I use Excel and the other applications for other purposes. Again, you can use one of the free services out there, or even just send yourself an email with your writing.
I am sad to say that I have done most of my writing on the phone. I’ve never been good at using mobile devices, they’re too small for me. Maybe I’m old school, but a proper keyboard, screen (or two), and mouse are my favorite mode of work. I’m just not as effective on a mobile device (are you? I’m interested to know). I spend more time in traditionally inconvenient places that only allow me to use my phone. I commute on public transport every day, so I have plenty of time to write, if not in the most accommodating spaces.
This is not so bad, actually. The truth is, writing takes time. So even though a phone doesn’t allow me to type at 60 WPM (I just tested myself, pretty good!), it doesn’t matter too much because each sentence takes a minute or more to concoct.
If you don’t have a personal device, I would recommend using a computer at a public library. I’ve never done it myself, but it would be the perfect, quiet place to write. You can use your free cloud storage to save your work and come back to it whenever you have time.
Do you write? What are your habits and tools? Leave a comment and share.
Major kites have a broad, flat head. Large eyes on either side of the head allow them to keep track of their flock while in flight. They have good eyesight in both dim and bright conditions, allowing them to range to either edge of their planet’s twilight zone. Their eyes also have pigment cells that can change color. They use the varying ranges of color communicate. A bioluminescent layer behind the pigments is used as a backlight to communicate at night. The backlight might also be used to suggest increased emphasis on the message, much like a human raising their voice. Major kites have no eyelids and the surface of their eyes is a transparent chitin, making their eyes naturally hard and resilient. The mouth is located in the front of the head and can open to more than twice the head’s width. Major kites use this large basking mouth to collect swarms of small prey.
Behind the head are two long skin flaps. These prehensile wind vanes serve multiple purposes. First, they are used as semaphores to communicate visually, or through direct contact (especially with embarked minor kites). Second, they can be used for general light utility such as scratching, lifting, and grooming. Lastly, they aid in flight, sensing changes in air pressure and providing assistance in maneuvering.
Major kite language is visual and auditory. In flight, they will use their bright eye colors and wind vanes to signal each other. This is more reliable than using sound in high winds that can distort the message. When on the ground, major kites will rumble and bellow in low tones using vocal cords in their throats. Humans and major kites do not have the same vocal abilities and require translators or voice synthesizers to communicate effectively.